THIRD

GENERATION

SCHAUBÜHNE (D) /

HABIMA (IL)

DRAMA
FRA 15 ÅR

I Third Generation undersøger den israelske dramatiker og instruktør Yael Ronen og hendes hold af israelske, tyske og palæstinensiske skuespillere den gordiske knude der kendetegner de tre nationer. De deltagende skuespillere kommer fra forskellige familiebaggrunde, og forestillingen fokuserer på deres historier og rødder samt på begreber som erindring og skyld - hvem er offer og hvem er gerningsmand ?
Third Generation handler ikke om de grundlæggende nationale myter men er et forsøg på at finde en forståelse for hvordan vores identitet også er baseret på vores nationale forståelse.

HVOR OG HVORNÅR

Aarhus Teater
Teatergaden
DK-8000 Aarhus C
Tlf: +45 8933 2300
www.aarhusteater.dk. Åbner i nyt vindue.

Torsdag 12. maj kl. 20.00 (+ aftertalk).

BILLETTER

Læs alt om priser, Festivalkort etc. her.

Køb billet:
Aarhus Teater, Store Sal, torsdag 12. maj kl. 20.00

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VARIGHED

Ca. 100 minutter.

SPROG

Engelsk.

PRESSEN SKREV:

The third generation puts everything on the table that one can think or believe once one is beyond numbness induced by horror, violent bossiness, dogmatic justice and the commandment »Don't compare!«. So the stereotypes of those favorite roles of the victim and perpetrator are being overturned hilariously. But: No suffering, pain, trauma or insecurity, no inner wounds are being treated without respect or mocked, but only that which is supposed to protect the wounded souls: ritualized mechanisms of supppression on all sides and that fatal automatism of brushing things under the carpet.
- Berliner Morgenpost

Harrowing, oppressive, nightmarishing, so polemic as didactic but most of all extremely funny and ultimately liberating. An option on future.
- Reinhard Wengierek, Die Welt

No better way to show how loosely resentment is being worn under the neat little coat of political correctness than Niels Bormann's highly embarrassed sermon of begging forgiveness.(…) Ronen confronts clichés and resentments incredibly smartly and with dizzying speed so that both fall apart hopelessly and the wound is being exposed.
- Christine Wahl, Tagesspiegel

In Yael Ronen's speedy play the German, Jewish and Palestinian actors heave their family histories, injuries and gestures of dismay at each other and let them crash. Often it's not possible to distinguish between the character and the actor, not only because the actors address each other by their real names and look exposed and private in the course of these rapid, seemingly improvised scenes on this vast empty stage. (…)
The production is one long assault on the ceremonial routines of a well established culture of institutionalised remembrance. (…) Nothing about the production is cynical. To mock the families of the survivors is so far from Yael Ronens mind as it is from George Taboris who has lost most of his family during the Holocaust. Inherent in the embarrassment of failing communication between the perpetrators and victims of the third generation after Auschwitz there is a sort of objective, inevitable pain. It brings to light the impossibility of doing justice to such a singular crime against humanity by way of communicating in some way or even by way of "processing" it - a term that Adorno was suspicious of.
Although Ronens production is governed by a very humorous lightness we often choke on our laughter. The comedy, like in Taboris bitter comedies, is born from mourning and helplessness in the face of the unspeakable.
- Süddeutsche Zeitung

HJEMMESIDE

www.schaubuehne.de. Åbner i nyt vindue.

Billetter

Om ILT

Værter/værtinder

Kontakt

Presse

THIRD

GENERATION

SCHAUBÜHNE (D) /

HABIMA (IL)

HVOR OG HVORNÅR

BILLETTER

VARIGHED

SPROG

PRESSEN SKREV:

PROGRAMOVERSIGT ILT11

4:48 PSYKOSE

ACCORDION

BABBLE-BABBLE

CIRCUS ON STRINGS

ELSKENDE

GARDENIA

.H.G.

RADIO MUEZZIN

RUHE

TARTUFFE

THIRD GENERATION

FESTIVALAKTIVITETER

ARTIST DIALOGUES

DANS UNDER ILT11

FILM PÅ ILT

INTERAKTIV DRAMATIK

SAMTIDSDRAMATIK

RAMMERNE FOR SCENEKUNSTEN

HJEMMESIDE

MEDVIRKENDE

OM SCHAUBÜHNE OG HABIMA

PRODUKTION OG STØTTE